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Songs, Airs and Dances from Jane Austen’s Notebooks
May 21, 2017 @ 3:00 pm - 5:00 pm
Musical gatherings, dances, and private concerts are all referred to regularly by Jane Austen, and her extensive music collection contains songs, lessons and concertos from the mid-18th. century to the latest published dances. As well as numerous songs – some with versions for flute – there is a considerable amount of harp music, and Jane Austen is believed to have heard the renowned harpist Sophia Dussek play – and may even have played to her. Delve in Jane Austen’s notebooks with music performed by Musica Domestica (Sophia Brumfitt – Mezzo Soprano; William Summers – Flute; Taro Takeuchi – Harp–Lute; Guitar).
Programme to include Captivity – Stephen Storace (1762–1796), La Rose – anon., Nymphs and Shepherds – Thomas Arne (1710–1778), The Young Gentleman’s
Retreat – anon., Two songs by Sophia Dussek – (1775–1831), La Pergordine – anon., I have a silent sorrow – words by Richard Sheridan (1751–1815), music by Georgiana Cavendish, Duchess of Devonshire (1757–1806), Thy fatal shafts text by Sappho c. 630 – c. 570 BC, Variations by Sophia Dussek on O Mio Crudel Tirana.
Two Scottish tunes: My Apron Dunn / The Broom of the Cowdenknows,Lotharia by Thomas Arne. Scottish tune: Corn Riggs, Somebody – anon.
Delivered as part of Jane Austen Weekend.